1970 Born in Mexico City Nationalities: United States and Great Britain Lives and works in New York EDUCATION 1998 Harvard University (MArch) 1998 University of California at Berkeley (BA) 1989 Art Center College of Design SELECTED SOLO EXHIBITIONS 2005 History Images, Kiang Gallery, Atlanta, GA 2004 History Images, Storefront for Art and Architecture, New York, NY SELECTED GROUP EXHIBITIONS 2005 Beyond Delirious, Cisneros Fontanals Art Foundation, Miami. Curated By Christopher Phillips Convergence, 798 Dayaolu Workshop, Beijing, Curated by Feng Boyi and Marilyn Kiang The City: Contemporary Views of the Built Environment, Lehman College Art Gallery/CUNY, Bronx, New York. Curated by Nina Sundell and Susan Hoeltzel. 2004 Taipei Biennial: Do You Believe in Reality? Taipei Fine Arts Museum, Taiwan. Curated by Barbara Vanderlinden and Amy Huei-Hua Cheng. Catalogue. Between Past and Future: New Photography and Video From China, International Center for Photography, New York. Curated by Christopher Phillips and Wu Hung. Catalogue. Travels to Smart Museum of Art and Museum of Contemporary Art, Chicago; Seattle Art Museum; Haus der Kulturen Welt, Berlin; Victoria & Albert Museum, London; Santa Barbara Museum of Art. Est-Ouest/Nord-Sud, Arc en R�ve, Bordeaux. Curated by Hou Hanru. 2002 Painting as Paradox, Artists' Space, New York. Curated by Lauri Firstenburg. Catalogue. Shopping: A Century of Consumer Culture, Curated by Max Hollein and Christoph Grunenberg. Schirn Kunsthalle, Frankfurt, and Tate Liverpool. Catalogue. 2000 Mutations, Arc-en-Reve, Bordeaux, and TN Probe, Tokyo. Catalogue. 1999 A Polder for Seclusion, Frederieke Taylor/TZ Art, New York, NY BIBLIOGRAPHY 2005 Flash Art: Taipei Biennial exhibition review by Susan Kendzulak (Jan�Feb, p. 50). 2004 Art Journal: "History Images" artist portfolio (December). Includes article "Drastic Urbanization: The Photographs of Sze Tsung Leong" by Christopher Phillips. Aperture: "Between Past and Future" exhibition review by Andy Grundberg (Winter. p. 14). 34: "The Big Tease" by Tina di Carlo (Winter, p. 34�37). Art Asia Pacific: "History Images" exhibition review by Christopher Lew (Fall). Art on Paper: "History Images" exhibition review by Stephen Robert Frankel (Novem-ber/December, p. 81). Modern Art (Taipei): 2004 Taipei Biennial portfolio (October, p. 38�39). Art World (Shanghai): "History Images" exhibition review by Yu Miao (December, p. 20�21). Dwell: "Between Past and Future" (September, p. 44). Artforum.com: "Critics� Picks" review of "History Images" exhibition by Michael Meredith (July). The New York Times: "Art Guide" review of "History Images" exhibition by Ken Johnson (June 25, p. E34). The New Yorker: "Between Past and Future" exhibition review (July 28, p. 20). Art in America: "Sixty Ways of Looking at China" by Richard Vine (June/July, p. 126). The Bardian: "Is China�s Hypergrowth Sustainable?" by Edward K.Y. Chen (Summer, p. 10�15). 2003 New Left Review: "Future City" by Fredric Jameson (No. 21, May/June, p. 68). BOOKS AND CATALOGUES 2005 About Beauty, edited by Akbar Abbas and Wu Hung (Berlin: Haus der Kulturen der Welt). Forthcoming. 2004 Taipei Biennial: Do You Believe in Reality?, edited by Barbara Vanderlinden and Amy Huei-Hua Cheng. (Taipei: Taipei Fine Arts Museum). Between Past and Future: New Photography and Video From China, edited by Christopher Phillips and Wu Hung (New York and G�ttingen: International Center for Photography and Steidl). 2002 Shopping: A Century of Art and Consumer Culture, edited by Max Hollein and Christoph Grunenberg. (Ostfildern-Ruit, Germany: Hatje Cantz). Painting as Paradox, edited by Lauri Firstenburg. (New York: Artists Space). PUBLISHED WRITINGS 2005 "The Authority of Beauty," in About Beauty, edited by Akbar Abbas and Wu Hung (Berlin: Haus der Kulturen der Welt). Forthcoming. 2004 "The Traditions of Chinese Cities," 32 (Winter). Forthcoming. "On The Ground: Beijing," Artforum (December). 2003 "Erasure is a Form of Building," DA (Fall). 2001 "Ulterior Spaces," "Mobility," "Divine Economy," in Harvard Design School Guide to Shopping (K�ln: Taschen). 2000 "Control Space," in Mutations (Barcelona: Actar). "Representing the Almost Nothing: The Drawings of Ludwig Mies van der Rohe," in Conventions of Architectural Drawing: Representation and Misrepresentation, edited by James Ackerman and Wolfgang Jung (Cambridge, MA: Harvard Design School). 1998 "Readings of the Attenuated Landscape" in Slow Space (New York: Monacelli). GRANTS AND FELLOWSHIPS 2005   Guggenheim Fellowship 2001   Wheelwright Fellowship, Harvard University 1997   Graham Foundation Grant