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BRADLEY McCALLUM
1992 MFA, Sculpture, Yale University School of Art, New Haven, CT
1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA
JACQUELINE TARRY
2003 Whitney Independent Study Program, New York, NY
1986 Philosophy, State University College at Buffalo, Buffalo, NY
SOLO EXHIBITIONS + PUBLIC INSTALLATIONS
McCALLUM + TARRY
2007
Caren Golden Fine Art, New York, NY
2006
Whitewash, F-2 Gallery, Beijing, China
Cut, Conner Contemporary Art, Washington, DC
2005
McCallum & Tarry–Endurance, Nichido Contemporary Art, Tokyo, Japan
Endurance, Tokyo Wonder Site, Tokyo, Japan
Endurance, Aljira, Center for Contemporary Art, Newark, NJ
2004
Endurance, Marvelli Gallery, New York, NY
Otis, Conner Contemporary Art, Washington, DC
Endurance, City Space Gallery, Seattle, WA
2003
Civic Endurance, Conner Contemporary Art, Washington, DC
2002
Silence: New Haven, Rush Arts Gallery, New York, NY
2001
Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT
2000
Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY and citywide installation, New York, NY
In the Public Realm, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, WI
1999
Witness: Perspectives on Police Violence, Institute on Arts and Civic Dialogue, Kings Chapel, Boston, MA
MCCALLUM
2001-03
Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI
1998
Permanence of Memory: Maine Veterans and Civilians Remember WWII, Institute of Contemporary Art at Maine College of Art, Portland, ME
History Table: Gorhams Corner, Percent-for-Art commission, Portland, ME
1996-97
The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford, CT
Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion, MI
Surviving Memories, Work-in-progress, Swords Into Plowshares Peace Center and Gallery, Detroit, MI
1995-96
The Permanence of Memory: Maine Veterans and Civilians Remember WWII, Site specific installation, Battery 201,
Two Lights State Park, Cape Elizabeth, ME
1994
Shroud: Mother's Voices, A Memorial for Victims of Gun Violence in New Haven, CT,
Coalition to Stop Gun Violence Conference, Washington, DC
Testimonies, Screening, Boston Film and Video Foundation, Boston, MA
1993
Aiding Awareness: Women's Stories, in collaboration with Class Action: The Art
Collective For Community Action, Artspace, New Haven, CT
Multi Media Installation, Virginia Polytechnic Institute and University, Blacksburg, VA
1992
Shroud: Mother's Voices, A Memorial for Victims of Gun Violence in New Haven,
CT, Site specific installation, Yale Art & Architecture Gallery, New Haven, CT;
City Hall, New Haven, CT; Connecticut College Chapel, New London, CT; Maloney
Correctional Institute, Cheshire, CT
1990
Awnings: Shelter, Site specific installation, Yale University, New Haven, CT
1989
Park Bench Shelter, Site specific installation, New Haven, CT
1988-89
Homeless Carts, Public art project, Richmond, VA
SELECTED GROUP EXHIBITIONS
MCCALLUM + TARRY
2006
Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, NY
25 Bold Moves, Curator: Simon Watson, House of Campari, New York, NY
Nothing Good House, Kunsthaus Graz, Graz, Austria
2005
A Knock at the Door, Lower Manhattan Cultural Council, New York, NY
Crossing Waters and Borders Down Memory Lane, Cork, Ireland
Convergence, International Contemporary Art Exhibition, Beijing, China
Noorderlicht Photofestival, Groningen, Netherlands
The Staged Body, Curator: Andrea Pollan, Curator's Office, Washington, DC
2004
Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY
It's About Memory, Curator: Simon Watson, Rhona Hoffman Gallery, Chicago, IL
2003
The Outlaw Series, Curator: Lisa Kirk, New York, NY
Confrontation or Commentary: The Role of Political Art in Society, Curator:
Danny Simons, Nathan Cummings Foundation, New York, NY
Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY
2002
MediaCity, Curator: Wang Nan-Ming, Artists Commune Gallery, Hong Kong, China
Strike, Curator: Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England
Art & Outrage, Curator: Simon Watson, Robert Miller Gallery, New York, NY
2001
In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY
Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT
2000
Artists-in-Community Residence, Bronx Museum of the Arts, Bronx, NY
Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan, CT
1999
Mumia 911, Refuse and Resist, New York, NY
MCCALLUM
2005
Disputed Territories, City Without Walls, Newark, NJ
2003
The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University
Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College
Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL
2000
Concerted Compassionism, White Columns, New York, NY
Once Removed, Socrates Sculpture Park, Long Island City, NY
1998
Inspired Fear, Erector Square Gallery, New Haven, CT
1997
Memory and Mourning: Shared Cultural Experience, University at Albany Art Museum, Albany, NY
Surviving Memories, Site specific installation, Heidelberg Project, Detroit, MI
1996
Incestuous, Thread Waxing Space, New York, NY
In Our Sights: Artist Look at Guns, UCR/California Museum of Photography, Riverside, CA
1995
Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA
Arresting Images, Gallery 400 at the University of Illinois at Chicago, IL
Reinventing the Emblem, Yale Art Gallery, New Haven, CT
Strokes of Genius: Mini Golf by Artists, Collaboration with Dawoud Bey, DeCordova Museum, Lincoln, MA
1994
Multiple Choice, Gates of Heck Editions, New York, NY
Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland, ME
1993
Small Works, Artspace, New Haven, CT
Art and Ethics, Sawtooth Center for Art, Winston Salem, NC
Re-enchanting Art, Multimedia installation, Cardinal Gallery, Annapolis, MD
1991
Toys Are U.S., Key Gallery, Richmond, VA
1989
Coastal Exchange II, Anderson Gallery, Richmond, VA; Maryland Art Place,
Baltimore, MD; Nexus Art Center, Atlanta, GA
TARRY
2004
Independent Study Program Studio Program Exhibition, Whitney Museum of American Art, New York, NY
ARTIST RESIDENCIES
MCCALLUM + TARRY
2006 McColl Center for the Arts, Charlotte, NC
2005 Headlands Center For the Arts, Bridge Residency, Sausalito, CA
2003 ARTSUP Program, Seattle Office of Arts and Cultural Affairs, Seattle, WA
2002 Red Gate Gallery, Beijing, China, Ford Foundation International Fellowship
1999 Institute on Arts and Civic Dialogue, Harvard University, Boston, MA
MCCALLUM
1999-2000 Madison Metropolitan School District, Madison, WI
1998-99 New York Civil Liberties Union, New York, NY
1996 Albion College, Albion, MI
1995 John Michael Kohler Arts Center Residency, Sheboygan, WI
1993 Vermont Studio Center Residency, Johnson, VT
PUBLIC PROJECTS: PARTNERS + FUNDING
MCCALLUM + TARRY
Endurance, Seattle, WA (2003-05)
In partnership with Peace on the Streets by Kids from the Streets, Seattle, WA and commissioned by the Seattle Office of Arts and Cultural Affairs, Arts Up Program. Additional funding by the National Endowment for the Arts, Seattle Department of Neighborhoods, and the Fales Foundation.
Silence: New Haven, New Haven, CT (2001-02)
Presented by Artspace and Center Church on the Green, New Haven, CT. Produced by ConjunctionArts. Funded by the Lustman Memorial Fund, The Gunk Foundation, Trumball College Fine Art Program and the Connecticut Humanities Council. Presented in New York City by the Rush Arts Gallery, a program of Rush Philanthropic Arts Foundation. Funded by the New York State Council on the Arts and the Greenwall Foundation.
Witness: Perspectives on Police Violence, New York, NY (1999-2000)
Presented by the Bronx Museum of the Arts and the Cathedral of St. John the Divine. Produced by ConjunctionArts in partnership with Center for Constitutional Rights, 100 Blacks in Law Enforcement Who Care, Parents Against Police Brutality, National Action Network, National Congress for Puerto Rican Rights and New York Civil Liberties Union. Funded by the New York State Council on the Arts, Institute on Arts and Civic Dialogue, Jerome Foundation, The Gunk Foundation, Lower Manhattan Cultural Council and the Andy Warhol Foundation for the Visual Arts.
MCCALLUM
The Madison Project: Path of Voices, Madison, WI (2001-03)
Commissioned by the Madison Metropolitan School District, YWCA of Madison and Parents of Murdered Children. Funded by the National Endowment for the Arts, Pleasant Company Fund for Children, Madison CityARTS Commision, Evjue Foundation, Wisconsin Arts Board and individual donors.
The Manhole Cover Project: A Gun Legacy, Hartford, CT (1996-97)
Presented by the Wadsworth Atheneum in partnership with the Connecticut Childhood Injury Prevention Center with support from the City of Hartford, Mayor's Office and ConjunctionArts. Funded by the Connecticut Commission on the Arts-New Arts Partnerships, Greater Hartford Arts Council, New England Foundation for the Arts, Hartford Hospital, Colt Foundation and Kaiser Permanente.
Surviving Memories: Dedicated to Homicide Victims, Detroit, MI (1994-98)
Commissioned by Save Our Sons and Daughters (SOSAD) and the City of Detroit. Funded by the Michigan Council for Art and Cultural Affairs, Detroit Arts Council, Detroit Arts Foundation and the John Michael Kohler Arts Center.
Permanence of Memory:
Maine Veterans and Civilians Remember WWII, Cape Elizabeth, ME (1995-98)
Presented by ConjunctionArts in partnership with Two Lights State Park and the American Legion. Funded by the National Endowment for the Arts, Maine Humanities Council, Maine Arts Commission, Maine Community Foundation, Davis Family Foundation and the Shipman Foundation.
Shroud: Mother's Voices:
A Memorial for Victims of Gun Violence in New Haven, CT (1992-93)
Produced by ConjunctionArts. Presented by the Yale Art & Architecture Gallery, New Haven, CT, New Haven City Hall, New Haven, CT, Connecticut College Chapel, New London, CT and the Maloney Correctional Institute, Cheshire, CT. Funded by the Seymour L. Lustman Memorial Fund and the Dwight Hall Center for Public Service and Social Justice.
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